FRENCHED

This rare, hand-tinted early daguerreotype of French revolutionaries blowing up the original Eiffel Tower can only mean one thing: Bastille Day is here again.

Americans – along with the British, other Europeans, denizens of former Communist Bloc nations, citizens of the Third World, Canadians, and the majority of the French – nurse many misconceptions about the 18th-century Gallic struggle for liberté, égalité, and fraternité (roughly translated: “libraries, eagles, and fraternities,” otherwise known as the Holy Trinity of Universal Literacy, Nature Conservation, and Limitless Booze, the age-old earmarks of Liberal Education). As always, we are prepared to jump into the breach with some straight talk.

King Louis XIV, the self-styled “King of the Sun,” fancied that the French royal line were the descendents of solar aliens, the same race that ostensibly constructed the Pyramids, Stonehenge, and China. He decided that he needed an earthly construction to define his glory and compete with his supposed ancestors’ finest achievements, and so he called upon the royal engineer Alec Eiffel (who previously designed the haunted underground grottoes of Versailles) to create the world’s tallest structure – a 324-meter high wooden throne that would allow the entire world to view Louis in all his glory.

In order to fund this edifice, the peasants were forced to preemptively sign over the income of their next twelve generations of progeny to the French court. This worked for a while, but by the time the third sou-less generation came of age, during the reign of Louis XVII, the deal no longer held its former appeal. When Benjamin Franklin visited the nation in 1787, his fiery, demagogic speaking style and bloody rhetoric whipped the peasantry into a frenzy, and the French decided to join their American cousins in revolution.

For the Tennis Court Oath (which was actually sworn on a badminton green, which the proletariat found too faggy to identify as such), selected members of the French underclass dressed as Indians in order to disrupt the decadent games of the aristocracy and have their sporting equipment thrown into the Seine. As birdies, lacrosse sticks, and frilly knee-pads floated through the city, the anger they spawned pointed in one direction: the Tower.

In the decades following its erection, the Tower had been nicknamed “Bastille” (a French diminutive of “Bastarde”) by Parisians. This symbol of monarchy gone phallically awry represented all of the grievances of the People, and so, on July 14, 1789, they stormed it, rigged it up with a bunch of firecrackers, and watched it burn to the ground.

The years that followed were full of blood, both metaphorically and physically. Robespierre’s Reign of Terribleness began when Revolutionary leaders held a contest to devise the most fucked-up way of killing people – and thus the guillotine was born. The killing only ended when Louis XVII’s bastard son, Napoleon Bonaparte, reminded the people that there was no more Tower or racquet sports, and therefore the monarchy was dead. He then named himself Emperor.

It wasn’t until the reign of Napoleon’s grandson, Napoleon III, that everyone remembered how cool the Tower was, and plans were instantly drafted to rebuild it in iron, so the rabble couldn’t burn it down. Instead, they could pretend to burn it down every year, in a ritual similar to the Wicker Man ceremonies of ancient pagans and horror geeks. And so to this day the French enjoy having an excuse to make a lot of noise and set off fireworks in emulation of the July 4th holiday of their older post-Revolutionary siblings, the Americans. They’re like children that way.